For October’s Performer Magazine I have the pleasure of writing the cover story about Amanda Palmer, the frontwoman of the Dresden Dolls who has embarked on a solo project in lieu of the stagnation of the Dolls. I was slightly hesitant at first, not about taking the story, because a solo-artist angle is fairly simple with a good interview, but because I didn’t know how well my stuff would translate to a solo artist with whose background I was unfamiliar.
I can’t reiterate how happy I am that I took the Amanda story.
On Monday, I headed down to the Seaport to meet Amanda for an interview. She spoke beautifully and eminated a kind of confidence that fostered a chemistry I rarely share with interview subjects. I haven’t transcribed it yet, but I have a feeling there’s a lot of excellent content (without too much fluff, which I think has come from learning to be a better journalist). Following the interview, I saw her perform (with the exquisite company of Vermillion Lies, who are highly, highly recommended). It was easily one of the best shows I’ve ever seen period. She is an inspired performer, and her new record, Who Killed Amanda Palmer, is a stunning piece of songwriting. I’m hooked - and those of you who know my taste understand what a big statment this is.
I’m so looking forward to writing this story and sharing Amanda. Details when it comes to fruition. In the interim, do yourself a favor and take a listen, especially “Runs in the Family,” “Astronaut,” and “Melissa Mahoney.”
M
